<p>The Butler-Wallin House, at 1045 E 4500 S, Millcreek, Utah, in Salt Lake County, Utah, was built in 1928–29. It was listed on the National Register of Historic Places in 2005.</p><br>
<p>The Butler-Wallin House, built in 1928-1929, is a one-and-a-half-story Period Revival-style residence. The house is significant under Criteria A for its association with the agricultural and suburban development of central Salt Lake County. The Butler-Wallin House was originally built as the showpiece of a 35-acre farm. The house and farm had several owners during the historic period, and each had different agricultural use for the property. The farm acreage land was sold for residential development between the 1950s and 1980s, but the house remains a distinctive reminder of the neighborhoods agricultural heritage. The Butler-Wallin House is a rare example of a farmhouse that represents a subset of second-generation Salt Lake County residents, the "gentlemen" farmers. Prosperous businessmen, who like Robert Butler and Alvin G. Wallin, kept their in-town jobs while maintaining suburban farms for hobby, experimentation, and educational purposes. The Butler-Wallin House is also significant under Criterion C as an architectural landmark in the area. The Butler-Wallin House was designed by the first owner, Robert W. Butler, whose avocation was architecture. The design of the house was derived from published plans for farmhouses, but adapted by Butler to produce a period revival hybrid of the English Tudor and Colonial Revival styles. It is the only substantial period revival-style frame house in the area. Thehomes beautiful architecture and lush landscaping made it a popular venue for weddings, receptions, and other</p><br>
<p>social events during the historic period. The Butler-Wallin House and landscape contribute to the historic resources of its Salt Lake County neighborhood.</p><br>
<p>It has also been known as Butler Farm, as Wallin Farm, as Jensen Dairy.</p><br>
<p>A three-space garage is a second contributing building on the property.</p><br>
<p>It is no longer a residence, has been used as a business location since the 1980s.</p><br>
<p>It is located on the northeast corner of E 4500 S and S 1025 E. in what is now Millcreek, Utah, which was incorporated in 2016.</p><br>
<p>The Fish-Baughman House is a one-story, frame, California Ranch-style house at 3436 E. Ranch View Dr. in Millcreek, Utah. It was built in 1955 and was listed on the National Register of Historic Places in 2016.</p><br>
<p>It was partly a pre-fabricated structure and was deemed significant "for its association with the architects Cliff May and Chris Choate, and the Cliff May Homes phenomenon of the mid-1950s."</p><br>
<p>The listing includes a second contributing building.</p><br>
<p>The Morton A. Cheesman House, at 2320 Walker Lane in what is now Holladay, Utah, was built in 1912–13. It was listed on the National Register of Historic Places in 1982.</p><br>
<p>It is a two-story Craftsman-style house with a cobble-rock base.</p><br>
<p>It was designed by the Salt Lake City firm of Ware & Treganza, which had principals Walter Ware and Alberto O. Treganza.</p><br>
<p>Its significance:The Mort Cheesmen House, built in 1912-13, is significant as one of a very limited number of large scale Craftsman houses in Utah, and as an outstanding and unique example of that type. It is one of two monumental and unique Craftsman homes designed by the successful Salt Lake architectural firm, Ware and Treganza, the other example being the Knight-Mangum house in Provo. Alberto O. Treganza, the principal designer of the firm, had worked for the famous San Diego firm of Hebbard and Gill, and the design of the Cheesman house may reflect the influence of that experience. It is a distinctive example of the Craftsman style because of its single axis orientation, and its unorthodox point of entry. The combination of stucco and cobble rock as building materials, while not unusual, is not common in Utah, especially in large homes. It was more often reserved for use in Craftsman Bungalows.</p><br>
<p>The Copperton Historic District is a historic district in Copperton, Utah, United States, that is listed on the National Register of Historic Places .</p><br>
<h2>Description</h2><br>
<p>The district includes 237 contributing buildings and two contributing structures, on 78 acre. It is roughly bounded by State Highway (Utah State Route 209, formerly Utah State Route 48), Apex Road (formerly 5th East), Hillcrest Street, and Dinkyville Way (formerly 2nd West).</p><br>
<p>The district includes most of the historic town of Copperton, which was an isolated community at the mouth of Bingham Canyon, built mostly during 1926 to 1941 to house employees of the Utah Copper Company. The Copperton Community Methodist Church, which is also listed on the NRHP, is located just south of (outside) the boundaries of the historic district.</p><br>
<p>It includes Bungalow/craftsman, Tudor Revival, Spanish Colonial Revival, and vernacular architecture.</p><br>
<p>The district was listed on the NRHP on August 14, 1986</p><br>
<p>The Emma Olive Dobbs House, at 578 E. Locust St. in Sandy, Utah, was built in the years around 1905–10. It was listed on the National Register of Historic Places in 1996.</p><br>
<p>It is a one-and-one-half-story Victorian style central-block-with-projecting-bays house. It has a front porch with Tuscan columns.</p><br>
<p>It was deemed significant as one of "the best preserved examples of the central-block-with-projecting-bays constructed during the</p><br>
<p>same time period in Sandy". It was noted that it "is also expressive of the level of craftsmanship attained locally on the construction of such structures, including the use of native materials, such as the granite employed on the foundation."</p><br>
<p>The Heber Scowcroft House is a historic two-story house in Ogden, Utah. It was built in 1909 for Heber Scowcroft, an immigrant from England who moved to Utah with his family in 1880 after converting to the Church of Jesus Christ of Latter-day Saints. Scowcroft later worked as the vice president of John Scowcroft and Son, a wholesale dry goods company founded by his father and based in the Scowcroft Warehouse. The house was designed in the Colonial Revival style by architect Moroni Charles Woods. It has been listed on the National Register of Historic Places since December 13, 1991.</p><br>
<p>The Scowcroft Warehouse is a historic building in Ogden, Utah. It was built as a four-storey warehouse with a basement in 1900 for John Scowcroft and Sons, whose founder John Scowcroft converted to the Church of Jesus Christ of Latter-day Saints in England before immigrating to Utah with his family in 1880. He was the founder and namesake of this dry goods wholesale company in Ogden, and he was also a director of a beetroot sugar manufacturer in Northern Utah called the Ogden Sugar Company, which later merged with several companies to become the Amalgamated Sugar Company. The factory was designed by Ogden architect Leslie S. Hodgson and was listed on the National Register of Historic Places in 1978.</p><br>
<p>Scowcroft&#39;s son Heber was the president of John Scrowcroft and Sons, and he resided at the Heber Scowcroft House, also listed on the NRHP.</p><br>
<p>The Jackson Shore Apartments are a historic apartment building in the Hyde Park neighborhood of Chicago, Illinois. The building was built in 1916–18, at which time Hyde Park was a popular and growing neighborhood. Architects Rapp & Rapp, who were more famous for their work on theaters, designed the Classical Revival building; the style, which conveyed dignity and luxury to apartment-seekers, was a departure from their more elaborate theater designs. The eleven-and-a-half story building&#39;s design includes towers at the front corners, detailed stonework on the first floor, a bracketed stringcourse below the top floor, and a frieze above the top floor. The interior continues the classical theming with wood paneling and egg-and-dart molding. While many luxury apartment buildings were built in Hyde Park in the early 20th century, the Jackson Shore Apartments are one of the few well-preserved surviving examples.</p><br>
<p>The building was added to the National Register of Historic Places on April 12, 2010.</p><br>
<p>The Dennis A. Smyth House is a historic house within the Ogden Central Bench Historic District in Ogden, Utah, United States, that is individually listed on the National Register of Historic Places .</p><br>
<h2>Description</h2><br>
<p>The house was built in 1889 for Ephraim H. Nye, and it was designed in the Second Empire, Exotic Revival and Romanesque Revival styles by architect S. T. Whitaker. It later belonged to Dennis A. Smyth, an immigrant from Ireland who became a prominent businessman and invited William Howard Taft, the 27th President of the United States, to the house. From 1948 to 1967, the house was a Roman Catholic convent, and it later became a private residence again. It was listed on the NRHP on February 11, 1982.</p><br>
<p>The John L. and Elizabeth Dalton House is a historic two-story house in Ogden, Utah. It was built with bricks in 1886, before Utah became a state, and it was designed in the Second Empire style. John L. Dalton had two wives: Elizabeth Mary Studer, with whom he had 11 children, and Amy Edgley, with whom he had two sons. Dalton married his second wife in Mexico and later lived in Pocatello, Idaho with his second wife and their two sons, while his first family remained in Ogden. The house has been listed on the National Register of Historic Places since March 11, 1987.</p><br>
<p>The William D. Skeen House is a historic house in Plain City, Utah. It was built in 1862 for William D. Skeen, a Pennsylvania-born pioneer who converted to the Church of Jesus Christ of Latter-day Saints in 1850. Skeen had two wives: his first wife, Caroline, was an immigrant from England, while his second wife, Mary Davis, was an immigrant from Wales. The house was built with the help of two other Mormon pioneers: William Sharp, the stonemason, and Thomas Singleton, a carpenter. The house was purchased in 1868 by Ebenezer C. Richardson, who lived here with his four wives and 12 children. It has been listed on the National Register of Historic Places since August 9, 1982.</p><br>
<p>The house is unusual for its saltbox form. It has one large room on its second story, above the front rooms of the first floor. Extending back from the roof ridge in one long sweep is a shed roof of the New England "saltbox" type. The house is one of only four in Utah having that roof shape. The others are the Joseph Beesley house in</p><br>
<p>Provo (which has been significantly modified), the Lauritz Smith House in Draper (NRHP-listed), and the Hampton&#39;s Ford Stage Station in Collinston (NRHP-listed).</p><br>
<p>The Augustus B. Patton House is a historic house in Ogden, Utah. It was built in 1891, before Utah became a state, for Augustus B. Patton, a lawyer and real estate developer who lived here until his death in 1911. The house was purchased by a series of homeowners until it was acquired in 1934 by S. Dilworth Young, a general authority in the Church of Jesus Christ of Latter-day Saints who served on the First Council of the Seventy and the First Quorum of Seventy; he remained the homeowner until 1955. The house was designed in the Shingle style architectural style. It has been listed on the National Register of Historic Places since February 19, 1982.</p><br>
<p>The Lewis Mound Group  is a set of prehistoric Native American burial mounds in the village of McFarland, Dane County, Wisconsin, southeast of Madison. Created by late Woodland people overlooking the eastern shore of Lake Waubesa, they include a bear effigy, a hook-shaped mound, and some geometric shapes. They are visible from public trails in Indian Mound Park, which is owned by the village, just west of Indian Mound Middle School. The site was listed on the National Register of Historic Places in 1984.</p><br>
<p>The West Chatham Bungalow Historic District is a residential historic district in the Chatham neighborhood of Chicago, Illinois. The district includes 283 Chicago bungalows built between 1913 and 1930 along with a smaller number of other residential buildings. As Chicago grew in the early 20th century and homeownership became more accessible, the bungalow arose as a popular and affordable house design, and tens of thousands of them were built in the city. Chatham, an outlying neighborhood on the city&#39;s South Side, benefited from this housing boom, as its transit connections made the area an attractive choice for new housing. The West Chatham bungalows are all brick and feature similar designs, giving the neighborhood a uniform appearance; however, decorative features such as patterned brickwork provide diversity among the homes.</p><br>
<p>The district was added to the National Register of Historic Places on April 19, 2010.</p><br>
<p>The Auburn Gresham Bungalow Historic District is a residential historic district in the Auburn Gresham neighborhood of Chicago, Illinois. The district includes 264 Chicago bungalows built from 1918 to 1932 along with a variety of other residential buildings. Homeownership became more attainable for working-class Chicagoans in the early twentieth century, and affordable bungalows played a key role in this pattern, with tens of thousands of the homes built in the city. Auburn Gresham, a South Side neighborhood with railroad access and little prior development, was one of the many parts of the city developed during the bungalow boom. While thirty-two different architects designed homes in the district, the bungalows are still relatively similar, as the uniform building design was a major factor in their affordability; however, elements such as color and brickwork distinguish the individual homes.</p><br>
<p>The district was added to the National Register of Historic Places on October 9, 2012.</p><br>
<p>The Offerman Building is a historic building at 503–513 Fulton Street in the Downtown Brooklyn neighborhood of New York City. Designed by Danish architect Peter J. Lauritzen in a Romanesque Revival style, the eight-story building was built between 1890 and 1892 as a commercial structure, housing the S. Wechsler & Brother department store. Although the lower stories remain in commercial use, the upper stories were converted into a 121-unit residential complex in the 2010s. The building is a New York City designated landmark and is listed on the National Register of Historic Places.</p><br>
<p>The building has three distinct sections: the original wings on Fulton Street to the south and Duffield Street to the east, as well as a three-story glass annex on Bridge Street to the west that dates from the 2010s. On the Fulton and Duffield Street wings, the first and second stories of the facade are clad in stone, while brick and terracotta were used on the upper stories. The Fulton Street wing is mostly seven stories high (except for the central eight-story section), while the Duffield Street wing is six stories high. Inside, the building was originally used in its entirety as a department store, with various selling departments on each floor, as well as a small mechanical plant in the basement. The building&#39;s interior has been rearranged multiple times throughout the years; by the 2010s, only the basement and first two stories remained in retail use.</p><br>
<p>The building was developed by Brooklyn Sugar Refining Company president Henry Offerman, who agreed in late 1889 to lease the entire structure to S. Wechsler & Bro. (later Wechsler Bros. & Co.). The Offerman Building opened on May 1, 1891, and was expanded along Duffield Street in 1892 after the stores business grew significantly. Wechsler Bros. & Co. occupied the building until 1895, when Offerman took over the store. Joseph H. Bauland operated the store from 1897 to 1903, and Chapman & Co. then operated the store until 1907. The structure was then used as offices from 1909 to 1922, when Martins department store moved into the building. Martins occupied the Offerman Building for nearly six decades, moving out during 1979, after which the Laboz familys company United American Land bought the building. In the first two decades of the 21st century, the Laboz family leased out the lowest floors as retail space and converted the upper stories to apartments.</p><br>
<h2>Site</h2><br>
<p>The Offerman Building is located at 503–513 Fulton Street in the Downtown Brooklyn neighborhood of New York City. It occupies an irregular land lot on the city block bounded by Fulton Street to the south, Bridge Street to the west, Willoughby Street to the north, and Duffield Street (Abolitionist Place) to the east. The original building has frontage of 100 ft on Fulton Street and along Duffield Street; including the newer annex, it has an area of 46,046 ft2. Originally, the building&#39;s Duffield Street frontage was only wide. The Fulton Street wing originally extended about 160 ft deep, but an extension in 1893 increased this depth to 275 ft.</p><br>
<p>Due to the unusual shape of the lot, both of the original building&#39;s frontages are in the middle of their respective blockfronts. Nearby buildings include 388 Bridge Street to the northwest, BellTel Lofts and AVA DoBro to the north, and 1 Hoyt Street and 11 Hoyt to the south.</p><br>
<p>The Offerman Building&#39;s site was part of the 19th-century Duffield estate. The adjacent stretch of Fulton Street, between Brooklyn Borough Hall and Flatbush Avenue, was known as "upper Fulton Street" in the 19th century and was the commercial center of the then-independent city of Brooklyn. After the Brooklyn Bridge opened during the late 19th century, upper Fulton Street contained large numbers of retail stores, which had relocated from the Fulton Ferry landing near the East River shoreline.</p><br>
<h2>Architecture</h2><br>
<p>The building was designed by Peter J. Lauritzen in the Romanesque Revival style. According to the Brooklyn Daily Times, the Romanesque Revival style had been chosen because it "readily lends itself to richness and solidity of design". The eight-story tower at the center of the Fulton Street wing was built to a height of 150 ft.</p><br>
<h3>Facade</h3><br>
<p>On the Fulton Street elevation of the facade, the first and second stories were originally clad with granite, with a light sandstone band above the second story; brick and terracotta are used on the upper stories. The Duffield Street elevation is similar, except that gray stone is used on the lowest two stories instead.</p><br>
<h4>Fulton Street wing</h4><br>
<p>The facade on Fulton Street is divided vertically into three bays: a central section measuring eight stories tall, which is flanked by a pair of seven-story sections. There were originally five arches at ground level. The central section originally was decorated with a three-story arch measuring 25 ft wide. Each of the outer sections had two display windows measuring 12 ft high and 13 ft wide, with transom windows above. Running above the first floor was a cornice which divided the ground and second floors; this cornice was at the same height as the former Fulton Street Elevated. During the 1940s, Morris Lapidus designed a new central arch with a red granite frame and a grid of windows. This arch rises two and a half stories and is surrounded with ornament; above the center arch is a small colonnade with three windows separated by colonnettes. In the outer sections, the first and second stories were redesigned in the 2010s with a cast stone facade, in a simple imitation of the original design, and metal-and-glass storefronts. There are two smaller arches on either side of the central arch at the second story. On the third story, each of the outer sections has four arched windows, supported by colonnettes. There are also lions with the initials "H. O." (standing for Henry Offerman) at either corner.</p><br>
<p>The windows on the fourth through eighth floors were replaced in 2015. On the fourth to sixth stories, the outer sections of the facade each have two triple-height arches, with two window openings per story. Only the center section rises to the eighth floor, where there are three windows.</p><br>
<p>The side facades of the Fulton Street wing are plain in design. After the 2010s renovation, the eastern facade has had two windows on each of the fourth to sixth stories, while the seventh story has had three windows. There is a wooden water tower above the eastern section of the roof.</p><br>
<h4>Duffield Street wing</h4><br>
<p>The facade on Duffield Street is for the most part six stories tall and ten bays wide. The center eight bays are in two groups of four. All of the windows on Duffield Street date from the 2010s renovation. At the ground story, each bay has an arch supported on large granite piers; the two center arches in each group are taller than the two outer arches. The arches generally feature storefronts that were installed in the 2010s; the southernmost arch serves as the building&#39;s residential entrance, which is covered by a glass canopy. The arches originally had large windows that illuminated the back of the ground-level store. There is a deeply recessed window at the extreme northern and southern ends of the Duffield Street facade.</p><br>
<p>On the second through fifth stories, there are quadruple-height arches supported by shallow pilasters in the eight center bays. There are two windows on the center pilaster: one between the second and third stories, which is rectangular, and one between the third and fourth stories, which is arched. In the four bays immediately to the south of the center pilaster, there is a frieze with the words "1890 Offerman Building 1892" carved above the second floor. There are 23 arched windows on the sixth story, above which is a brick cornice with corbels. At the center of the sixth story is a metal cartouche, which is painted red and bears the overlapping letters "H" and "O".</p><br>
<p>The northern wall of this wing, measuring 100 ft wide, has windows that are visible above the roofs of adjacent buildings. The western wall is wide and has eleven rectangular windows on each of the third through sixth floors. There is a glass-and-metal penthouse above the Duffield Street wing. The southern wall has no windows and is clad in brick.</p><br>
<h4>Bridge Street wing</h4><br>
<p>The Bridge Street wing, designed by Greenberg Farrow, was added in 2014 and wraps around the northeastern corner of Bridge and Fulton Street, extending to the Offerman Building&#39;s original northern end. The Bridge Street wing is two stories high and has a facade with metal and concrete frame, as well as full-height glass windows. The ground floor contains a storefront with a store entrance, while the second floor is reached through the original building. The structure has a flat roof above the second story.</p><br>
<h3>Interior</h3><br>
<p>The original building on Fulton Street had 20,000 ft2 on each floor. The annex on Duffield Street increased the buildings total size to approximately per floor or in total. The buildings framework may have included both cast-iron and steel columns; the columns were placed in four rows and supported horizontal girders beneath each floor slab. Near the rear left of the building were originally two elevators and a staircase connecting all floors. Following an expansion in 1892, there were seven elevators in total: three freight elevators, one dumbwaiter for packages, and three passenger elevators.</p><br>
<p>The second basement houses a small electric plant installed by the Excelsior Electric Light Company. The plant consisted of four boilers, four engines (of which three were used to power the dynamos for the building&#39;s arc lights), and pumps to operate the elevators. The building was also outfitted with a central heating system, which at the time was still uncommon. The ceiling of the first basement contained an extensive system of pipes, which was used to carry cash from various parts of the building to a central cash room. Reflectors were placed throughout the building to minimize the need for artificial light during the daytime.</p><br>
<p>Although the whole building was originally used for retail purposes, the interiors have been renovated multiple times throughout the years. The first major renovation occurred in the 1940s, and some of the building&#39;s original decorations were removed after the second renovation in the 1980s, when the upper stories became offices. Following the third renovation in the 2010s, the building was split into commercial space on the lower two floors and residences above.</p><br>
<h4>Original use</h4><br>
<p>When the building opened, the central arch on Fulton Street led to a vestibule with marble-mosaic tiles spelling out the name of the first tenant, S. Wechsler & Bro. Also on Duffield Street were a private employee entrance and an employees&#39; room. The first floor was described in the Brooklyn Daily Times as having "gleaming white Corinthian pillars support a richly ornamented ceiling" measuring 21 ft high.</p><br>
<p>The building had two basement levels which extended 23 ft deep. On the second basement were the boilers, engines, dynamos, and elevator pumps. The boilers occupied a vault directly under the sidewalk of Fulton Street. Two goods lifts connected the second basement directly with the street. The second basement level housed offices for the credit department, cashiers, the head delivery clerk, the delivery department, and the timekeeper&#39;s office. This level also had the lunch rooms, the employee locker rooms, and a crockery delivery room. A stairway led from the second basement directly to a raised platform on the first basement level.</p><br>
<p>The second story contained the children&#39;s, underwear, millinery, and ready-made costume departments. By 1900, the second floor housed an art gallery,</p><br>
<p>On the sixth floor were storerooms, receiving rooms, fur storage, supply rooms, and window dressing rooms, as well as the advertising department and private offices for the firms. The seventh floor was used for private events and manufacturing, while the eighth floor was an observatory.</p><br>
<h4>Current use</h4><br>
<p>The basement of the Offerman Building, and the first and second floors of both the original structure and the Bridge Street annex, operate as commercial space and are arranged in an open plan. The first and second floors of the original building are attached to the Bridge Street wing to the west. In the westernmost bay on Fulton Street is an entrance with escalators, a stair, and an elevator. The rest of the retail space has been redecorated over the years with tiled floors and drywall walls and ceilings. The first and second stories of the original building have cast iron columns, which date to the building&#39;s opening in 1891; the decorations on these columns were removed during the 1940s renovation.</p><br>
<p>The southernmost bay on Duffield Street leads to the residential lobby.</p><br>
<p>During the 2010s renovation of the upper stories, some of the spaces were converted into residents&#39; amenity areas such as a fitness room, kitchen, and lounge. In addition, the roof contains a landscaped terrace with seats.</p><br>
<h2>History</h2><br>
<p>The building was developed by Brooklyn Sugar Refining Company president Henry Offerman. Its first occupant was S. Wechsler & Brother, established by brothers Samuel and Hermann Wechsler in 1868. By the late 1880s, the store required yet more space for its expanding operations.</p><br>
<h3>Development and opening</h3><br>
<p>During 1889, Offerman and real estate agent Frank A. Barnaby had discussed the feasibility of erecting a seven-story building at the corner of Fulton and Duffield Streets. That November, Barnaby agreed to lease the entire building to dry goods department store S. Wechsler & Brother for 12 years, and Offerman agreed to erect a five-story building on the site. The lease was officially announced the next month. Barnaby acquired nine lots: six at 503–513 Fulton Street and three at 240–244 Duffield Street. which the Brooklyn Daily Eagle characterized as "a low figure, as the locality is one of the best for business purposes". The Brooklyn Building Department issued a construction permit for the building in May 1890, and William and Thomas Lamb began erecting the structure the same month. Shortly before construction began, Offerman sued Barnaby, claiming that two of the Duffield Street plots could have been acquired at a lower price.</p><br>
<p>S. Wechsler & Son closed its original store on April 28, 1891, To promote its new building, S. Wechsler & Brother printed pamphlets with color photographs of the structure and its interior, and it distributed these pamphlets to customers. The store was so popular that, by 1892, the owners had decided to acquire several additional lots on Duffield Street, measuring a total of 87 ft wide and deep. The extra land was used to provide more loading bays and commercial space. After the younger Offerman was hired, the Wechsler store became Wechsler Bros. & Co. in October 1892. By that December, the store&#39;s annex had opened.</p><br>
<p>Wechsler Bros. & Co. only lasted for three years. Samuel and Hermann Wechsler and C. Henry Offerman suddenly decided to dissolve their partnership, and all of the companys stock was liquidated. Henry Offerman, who still owned the building, took over the stores operation. The elder Offerman began hosting exhibitions at the building, such as a showcase of oil paintings. Henry Offerman died in April 1896, less than a year after taking over the store. The trustees of Offermans estate decided to sell the buildings lease and the Offerman store to Joseph Bauland in March 1897, paying $500,000 each for the lease and store. Bauland had been visiting the area from Chicago, and broker Leonard Moody had convinced Bauland to open a store within the Offerman Building.</p><br>
<h3>Late 1890s to early 1920s</h3><br>
<p>Bauland remodeled the store to make room for several new or enlarged departments, such as sewing and grocery departments. and three elevators were added. as Joseph H. Bauland&#39;s Great Cash Store. The annex provided space for multiple new and expanded departments of the store, in addition to a restaurant, beauty salons, and photography studios.</p><br>
<p>Chapman & Co., operated by longtime Bauland employee William H. Chapman, The store began hosting events such as food shows and womens hat shows. Chapman & Co. moved their store to Manhattan in January 1907, as the lease of the Offerman Building was about to expire. The building was then acquired by businessman Ralph Leininger, who incorporated the Kingston Realty Company with $1,000 in paid-in capital and a valuation of $1 million. renovating the interiors to designs by "experts from Paris". The second floor of the Darlington store was supposed to contain a sizable silk and dress-goods department on the second floor. Leininger spent $75,000 renovating the building before announcing in September 1907 that the stores opening, which had been planned for the next month, had been delayed indefinitely.</p><br>
<p>For the next two years, the Offerman Building remained closed while it underwent extensive renovations. The structure reopened as an office building in 1909, with some stores remaining on the ground story. Decoration firm Robert Griffin Co. leased the second floor in 1911 and opened a showroom there. By the 1910s, the tax department of the government of New York City had offices in the Offerman Building, occupying four stories there. The city government also planned to move additional offices to the Offerman Building, but the New York City Comptroller blocked these plans. The ground floor of the Offerman Building was occupied by several stores, including the United Cigar Stores, while the New York City government occupied about 150,000 ft2 on the upper stories.</p><br>
<h3>Martin&#39;s occupancy</h3><br>
<h4>1920s and 1930s</h4><br>
<p>In July 1922, Martins Department Store bought the Offerman Building from the Offerman estate, along with an adjacent three-story building at 237 Duffield Street, for nearly $1 million. Martins, operated by the Zeitz family, had occupied the corner of Fulton and Bridge Streets since 1904, and spent over $300,000 on renovations over the next several months. and a merchandise receiving department on the fifth floor. The company also decided to take over the space used by various city offices. Three more departments of the store opened in early 1926, Martins occupied the entire ground story by September 1926, after Bickfords and United Cigar Stores had moved out. and the men&#39;s furnishing department.</p><br>
<p>The company expanded its infants clothing department to the Offerman Buildings mezzanine in 1928, and Martins had built its "mens corner" at Bridge and Fulton Streets by the next year. The store was initially successful because of its location in Downtown Brooklyn, The buildings owner Martin Securities Company then unsuccessfully sued to force the city to lease space there. Martins enlarged its childrens and womens clothing departments, relocating these divisions to the second floor, in 1938.</p><br>
<h4>1940s to 1970s</h4><br>
<p>Martins shared the Offerman Building with the Michael Bros. store; by 1945, Martins officials were considering expanding their store to the fourth floor, using space occupied by Michael Bros. The stores operators hired Morris Lapidus, a then-little-known architect who had started his own firm in 1944. According to a 1979 autobiography by Lapidus, the renovation of Martins was his first major solo project. The fourth-floor expansion was renovated in a modern style and opened in October 1945 as a childrens department. Martins stopped operating its basement store in 1946 and further expanded the mens and shoe departments in 1947. Lapidus also redesigned the Offerman Buildings facade on Fulton Street in March 1947, re-cladding the first two stories in Swedish granite and adding a red-granite arch.</p><br>
<p>Lapidus remained associated with Martins through the late 1950s, over a dozen years after his original commission for the company. Martins had three additional stores on eastern Long Island by the 1960s, but it continued to operate its flagship store at the Offerman Building. The stores continued presence in the Offerman Building led The New York Times to describe Martins as "an oasis of calm" in 1966. As such, Martin&#39;s Offerman Building store employed 900 people by the late 1960s.</p><br>
<p>Martins business began to decline in the 1970s. which was renovated into a pedestrian plaza named Fulton Mall in the mid-1970s. The Seedman Manufacturing Group had bought the Martins chain in 1977; in an unsuccessful attempt to attract buyers, they started selling lower-quality and cheaper products at the Offerman Building location. In February 1979, Martins opened a section for "budget items" on the buildings second and third floors. Seedman announced in April 1979 that it would close Martin&#39;s Offerman Building store, saying the store was unprofitable. At the time, the number of employees at that location had declined to 250</p><br>
<h3>Laboz ownership</h3><br>
<p>Shortly after the Martins store closed, Rentar Development Corp. and Times Square Stores offered to acquire the Offerman Building, with the intention of razing it and developing a new building for Alexanders department store on the site. They were beat out by Richard Carroll, a developer who planned to divide the building into "a number of national chain stores". Albert Laboz bought the building in 1979 through his company United American Land, and he and his younger brothers Jason and Jody subsequently operated the structure. The structures interior was renovated extensively during the 1980s. Discount store Conways also occupied the building for more than twenty years, until 2010.</p><br>
<p>The Municipal Art Society&#39;s Preservation Committee, along with local civic group Brooklyn Heights Association, began petitioning the New York City Landmarks Preservation Commission (LPC) to designate over two dozen buildings in Downtown Brooklyn as landmarks in 2003. Among these structures was the Offerman Building, which was designated as a New York City landmark in March 2005. The following year, Al Laboz said some of the upper-story offices had been sealed for forty to fifty years. The building was added to the National Register of Historic Places on February 21, 2017.</p><br>
<h4>New stores</h4><br>
<p>Al Laboz, who was a chairman of Fulton Mall, announced in 2005 that he wanted to redevelop the mall with new stores. As part of this redevelopment, clothing store H&M announced in June 2008 that it would move into the ground floor of a neighboring retail structure at 497 Fulton Street that Laboz, planned to develop. H&M officially signed a lease for the space that November, and clearing of the site at 497 Fulton Street began in 2011. United American Land began renovating 505 Fulton Street and constructing a three-story building at 497 Fulton Street, with a connection between the two structures at the second floor. The opening of the H&M store was delayed because United American Land had to negotiate with the Metropolitan Transportation Authority, which operated the Hoyt Street subway station.</p><br>
<p>H&M&#39;s lease only covered 35,000 ft2 in the basement and first story, and Laboz sought to lease out the remaining 46,000 ft2 of retail space in the building. Nordstrom Rack opened in May 2014, followed the same year by TJ Maxx. Also in 2014, United American Land received a $65 million loan to refinance the retail space on the lowest stories. Clothing-store chain Old Navy had also opened a store at the Offerman Building by the late 2010s.</p><br>
<h4>Conversion of upper-story space</h4><br>
<p>Since at least 2005, Al Laboz had indicated that he wished to convert the upper stories to loft apartments, similar to those that he and his brothers had developed in the SoHo and Tribeca neighborhoods of Manhattan. Al Laboz also negotiated with an unidentified institution to lease 150,000 ft2 of space on the upper stories. GreenbergFarrow designed the renovation. Although the Offerman Building&#39;s residential conversion was supposed to have been completed at the end of 2014, the project was still not finished two years later. Sales of the residences on the upper stories, branded as the Offerman House, began in mid-2017.</p><br>
<h2>Critical reception</h2><br>
<p>When the building opened, the Brooklyn Times Union wrote that the edifice was a "palatial building".</p><br>
<p>The Summit County Courthouse in Coalville, Utah, on Main St., was built in 1903. It was listed on the National Register of Historic Places in 1978.</p><br>
<p>Its construction settled a running dispute about where the county seat would be located. The newspaper of Park City, Utah was disappointed but came around to agree that the building would serve the county well.</p><br>
<p>It was designed by F.C. Woods & Co. of Ogden, Utah, and it was built by contractors E. J. Beggs & J. H. Salmon.</p><br>
<p>It is Romanesque Revival in style.</p><br>
<p>Alku and Alku Toinen are apartment buildings built in 1916 by the Finnish American immigrant community in the Sunset Park neighborhood of Brooklyn, New York City. Located at 816–826 43rd Street, they were the first nonprofit housing cooperatives in New York City.</p><br>
<p>The buildings were added to the National Register of Historic Places on May 20, 2019.</p><br>
<h2>History</h2><br>
<p>Finntown, an enclave of Finnish immigrants in northern Sunset Park, was composed of immigrants arriving during the first decades of the 20th century. At its peak, the enclave had 10,000 Finnish residents and contained its own Finnish language newspaper. In 1916, a group of sixteen families, who were Finnish</p><br>
<p>The structures were called "Alku" and "Alku Toinen", which translated respectively to "Beginning" and "Beginning Second". The apartments were designed by Eric O. Holmgren in the Arts and Crafts architectural style. they were subject to the rules of the New York State Department of Agriculture and Markets, under which agricultural cooperatives were regulated. During construction, a member of the Finnish Home Building Association was tasked to supervise each day&#39;s work. Other members of the association, union-affiliated workers with knowledge in manual trades such as bricklaying and plumbing, worked on the construction itself, being hired by the day.</p><br>
<p>Members of the Finnish Home Building Association wrote a constitution and bylaws, as well as a set of five principles. These principles set the foundation for future cooperatives, both in New York City and nationwide. By 1922, the Finns had constructed twenty co-ops in Sunset Park. These initially catered primarily to Finnish residents, but others of European descent also lived in these co-ops. The construction of Alku and Alku Toinen subsequently led to the construction of housing cooperatives over New York City, and by 2017, one observer wrote that there were three co-op units for every condominium in New York City. The Finns also kept building co-ops in Sunset Park, with 50 cooperatives in the neighborhood by 1947.</p><br>
<h2>Description</h2><br>
<p>The building exteriors are made of brick. Members paid an initial payment of $500 and a recurring monthly fee of $25 to $33, in contrast with the area&#39;s average rents of $75 to $85 at the time. The apartments, built for 16 families, each contain five rooms and at the time of opening were outfitted with modern conveniences including heat, electricity, kitchens and bathrooms. Members wrote a constitution and bylaws to govern the building and outline five principles: democratic control, a nonprofit structure, voluntary membership with individual economic participation, and concern for community.</p><br>
<p>The Idaho State University Administration Building is a historic two-story building on the campus of Idaho State University in Pocatello, Idaho. It was built as a student union in 1939, and designed in the Art Deco style by architect Frank G. Paradice. It became the administration building in 1961, after it was renovated by architect Henry J. Hulvey. It has been listed on the National Register of Historic Places since September 23, 1993.</p><br>
<p>The Pocatello Carnegie Library is a historic building in Pocatello, Idaho. It was built as a Carnegie library in 1907, and designed in the Palladian architectural style. According to Arthur Hart, the director of the Idaho State Historical Museum, "Pilasters are topped with stone triglyphs in the narrow frieze. On the entry facade the words Public Library in appropriate Roman letters identify the buildings original function." The building has been listed on the National Register of Historic Places since July 2, 1973.</p><br>
<p>The Eleuterio Derkes Grammar School  is a historic school building in Guayama, Puerto Rico. It was built in 1908, during a period when schools were gaining importance as civic institutions in Puerto Rico. Its simplified Neoclassical design emphasized this shift, and it became a prototype for a generation of school construction on the island. It additionally signifies a transition in construction technologies from wood to concrete. In 1987, architect Jorge Rigau observed that the building had survived in a nearly unaltered state, a rarity among schools of its era.</p><br>
<p>It was inscribed on the National Register of Historic Places in 1987.</p><br>
<p>The East Side Downtown Historic District in Pocatello, Idaho is a historic district which was listed on the National Register of Historic Places in 1994.</p><br>
<p>The district includes 12 contributing building in a 6 acre area roughly including the 200 and 300 blocks of E. Center St., the 100 block of N. Second Ave. and the 100 block of S. Second Ave. in Pocatello.</p><br>
<p>Two buildings in the district were designed by architect Frank H. Paradice, Jr. a couple were built by local builder Alex Mathers.</p><br>
<p>Per a daughter, architect Francis Charles Woods designed "the Auditorium" in Pocatello, Idaho. Assuming that&#39;s correct, it would be the Auditorium Opera House, either the 1893 reconstruction of an earlier opera house that was damaged in a fire, but which itself was destroyed in a fire in October 1899, or the 1900 new construction in brick. This, like some other Woods works, was Italianate in style, although the front was later modified in Art Deco style, but the Italianate styling can still be seen in its side wall along the alley running beside it. After another fire in 1939, the building was converted into a furniture store, which remained in 1994.</p><br>
<p>Contributing buildings in the district include:</p><br>
<p>Auditorium Opera House (1900, 1939), 237 E. Center. Art Deco features added in 1939.</p><br>
<p>McNichols Building (1915), 251 E. Center. Three-story brick commercial block with a red and buff brick veneer in two contrasting colors, Renaissance Revival in style including in a protruding, modillioned cornice.</p><br>
<p>Elkhorn Creamery (c.1914-15), 128 South 2nd. Two-story commercial block.</p><br>
<p>Elkhorn Creamery office (1907–15), 128 South 2nd. One-story brick commercial building which served as an office and restaurant.</p><br>
<p>Wise Frame-Sams Loan-Just Desserts (c.1915-21), 309/321/327 E. Center. One-story brick commercial building, with three storefronts, home of Fords drugstore through the 1930s and 1940s.</p><br>
<p>George Cacavas grocery (c.1907-15, c.1921-23), 331/333/335 E. Center. One-story brick building with a pressed-brick veneer painted white, with a decorative cornice</p><br>
<p>City Building and Shop (1915-21 for office building; c.1940 for auto repair shop), 210 E. Center. One-story brick office building with a terra cotta facade along First St. and Center St. elevations, with Art Deco styling. Plus one-story brick and concrete auto shop with a stepped parapet wall.</p><br>
<p>The Strand Hotel is a historic apartment hotel at 6315-6323 S. Cottage Grove Avenue in the Woodlawn neighborhood of Chicago, Illinois. Opened in 1915, the hotel offered both traditional guest rooms and long-term residences for customers who sought luxury amenities in apartment-style housing. Architects Davis & Davis designed the Classical Revival building, which has a red brick exterior with a terra cotta clad first floor, piers outlined in terra cotta, and an entablature and cornice at its roof. The hotel included a restaurant and banquet hall, the latter of which was used as a live music venue for many years. Once part of a major commercial district in Woodlawn, the hotel is now one of its few remnants and the only surviving apartment hotel building in the neighborhood.</p><br>
<p>The hotel was added to the National Register of Historic Places on January 29, 2013.</p><br>
<p>The Loa Tithing Office is a historic building in Loa, Utah. It was built in 1897 by bricklayer Peter Christensen and carpenter Benjamin E. Brown as a tithing building for members of the Church of Jesus Christ of Latter-day Saints, and it was designed in the Greek Revival style. It was acquired by the Daughters of Utah Pioneers in 1972. The building has been listed on the National Register of Historic Places since March 28, 1985.</p><br>
<p>The Orson Pratt House is a historic house in St. George, Utah. It was built in 1862, before Utah became a state, for Orson Pratt, a mathematician and an original member of the Quorum of the Twelve Apostles of the Church of Jesus Christ of Latter-day Saints. The house was acquired by Richard Bentley in 1864. It has been listed on the National Register of Historic Places since August 11, 1983.</p><br>
<p>The Red Lodge Communal Mausoleum is in the Red Lodge City Cemetery on Montana Highway 78 in Carbon County, Montana, near Red Lodge, Montana. It was built in 1922. It was listed on the National Register of Historic Places in 2011.</p><br>
<p>It is a 232-crypt community mausoleum built in the early 1920s for the citizens in and around the City of Red Lodge, Montana. It is within the 4.9 acre Catholic Cemetery portion of the overall cemetery, which has an additional 6 acre, and it is the largest structure.</p><br>
<p>It was built by the Consolidated Mausoleums Company of Billings, Montana in a modified cruciform plan. It includes a chapel.</p><br>
<p>It was deemed significant as "a very well-preserved and rare example of a community mausoleum in Montana from the early twentieth century. Only two other community mausoleums are known to have been built in the state during the era, one in Billings and the other in Great Falls. Of the three, only the Red Lodge and Billings facilities retain historic integrity. / The Red Lodge Communal Mausoleum also has architectural significance as an important local expression of one of the few solely American architectural forms, the Prairie School Style. Components of the building reflective of the style include its form (i.e., a tall central mass flanked by lower subordinate wings), a heavy application of rough textured stucco on the exterior walls and horizontal rows of window rows."</p><br>
<p>The Stony Island Trust and Savings Bank Building is a historic bank building at 6760 S. Stony Island Avenue in the South Shore neighborhood of Chicago, Illinois. The building opened in 1923 for the Stony Island Trust and Savings Bank, which was founded in 1917 and had outgrown its first building. The bank was one of Chicagos many neighborhood banks in the early twentieth century; as Illinois law at the time barred banks from opening branches, smaller standalone banks provided the residents and businesses of Chicagos outlying neighborhoods with nearby banking services.</p><br>
<p>Architect William Gibbons Uffendell designed the bank in the Neoclassical style, by far the most popular for bank buildings at the time. Uffendells design features a granite exterior, a temple front with four Doric columns, and an entablature topped by a parapet. The bank folded in 1931 as the Great Depression disrupted the citys banking industry; for the remainder of the 20th century, the building was alternately used by other banks and left vacant for extended periods.</p><br>
<p>The building was added to the National Register of Historic Places on November 15, 2013. It is now home to the Stony Island Arts Bank, an art gallery and library.</p><br>
<p>The George Carter Whitmore Mansion is a historic house in Nephi, Utah. It was built in 1898 for George Carter Whitmore, who founded the First National Bank of Nephi and served as a Democratic member of the Utah Senate from 1900 to 1908. The house was designed in the Queen Anne and Eastlake styles by architect Oscar Booth. Whitmore, his wife née Mary Elizabeth Hague, and their eight children, lived here until his death in 1917. It was inherited by one of his sons, George M. Whitmore. It has been listed on the National Register of Historic Places since December 12, 1978.</p><br>
<p>The Robert Gardner Jr. House, is a historic residence in Millcreek, Utah, United States, is a that is listed on the National Register of Historic Places .</p><br>
<h2>Description</h2><br>
<p>The house is located at 1475 East Murphy&#39;s Lane in Millcreek. Built in 1848, is likely the oldest standing European American structure in the state of Utah, dating to the year of the Mexican Cession of the Alta California region to the United States following the Mexican-American War.</p><br>
<p>Robert Gardner Jr. was born in Scotland and kept a journal during his time in Utah which survives.</p><br>
<p>The house was listed on the NRHP January 18, 2018.</p><br>
<p>The Garside-McMullin House, at 10481 S. 1300 West in South Jordan, Utah, was listed on the National Register of Historic Places in 1982.</p><br>
<p>It is a Queen Anne style house built in 1898. It was deemed significant for its architecture and for its association with two families, the Garsides and the McMullins.</p><br>
<p>It was used for city offices of South Jordan in the 1960s. The street address given at the property now is 10500, and signage calls it the McMullin House.</p><br>
<p>The Central Manufacturing District–Pershing Road Development Historic District is an industrial historic district on Pershing Road in the New City community area of Chicago, Illinois. An expansion of the original Central Manufacturing District, the district includes seventeen industrial buildings constructed between 1917 and 1948. The Central Manufacturing District, which was created in 1902, was one of the first planned industrial parks in the United States. By 1915, the district had grown to fill its original boundaries, and its developers bought a plot of land on Pershing Road for continued growth. To support businesses in the Pershing Road district, the developers built a freight rail depot, a water tower, and a power plant. The White City Cold Storage Company became the first business in the development the following year, and over the ensuing decades an extensive list of cold storage, manufacturing, and shipping companies used facilities in the district.</p><br>
<p>The district was added to the National Register of Historic Places on August 18, 2015.</p><br>
<p>The Wallace Blake House is a historic house in St. George, Utah, United States, that is listed on the National Register of Historic Places .</p><br>
<h2>Description</h2><br>
<p>The house is located at 980 Manzanita Road and was built in 1908 by stonemason Dode Wiethen and carpenter Brigham Carpenter. It was built with stones from the 1876 Price City LDS chapel. At the time of construction, it was located within Bloomington, a former community that was originally separate from, but is now part of the City of St. George.</p><br>
<p>It was listed on the NRHP November 14, 1978.</p><br>
<p>The William F. Butler House is a historic house in St. George, Utah. It was built as an adobe house in 1865 by William Franklin Butler, an early convert to the Church of Jesus Christ of Latter-day Saints. Butler first settled Palmyra, Utah with other Mormon converts in 1852 before moving to Spanish Fork, Utah, where he became a council member. In 1861, after President Brigham Young had asked them to, Butler moved to Southern Utah with more than 300 Mormon families and he became one of the first settlers of St. George. This house was built shortly after, and Franklin lived here with his two wives and many children. It was acquired and expanded by Henry G. Bryner, an immigrant from Switzerland and a Mormon convert, in 1886. It has been listed on the National Register of Historic Places since July 13, 1984.</p><br>
<p>The Samuel Crowthers Mitton House is a historic house in Wellsville, Utah. It was built in 1865, before Utah became a state, by Samuel Crowthers Mitton, a convert to the Church of Jesus Christ of Latter-day Saints who immigrated to the United States with his parents from Halifax, West Yorkshire, England. His family first settled in Illinois, and Mitton later lived in Farmington, Utah before moving to Wellsville, where he worked as a carpenter and cabinetmaker. The house has been listed on the National Register of Historic Places since November 19, 1982.</p><br>
<p>The Providence LDS Chapel and Meetinghouse is a historic building in Providence, Utah. It was built in 1869–1873, before Utah became a state, as a chapel and meetinghouse for the Church of Jesus Christ of Latter-day Saints. It was designed in the Greek Revival style by James H. Brown. The roof was built by Henry Bullock, Henry Theurer, and William Fife. A two-story extension was built in 1925, and it was designed in the Colonial Revival style. The building remained the property of the LDS Church until 1967. It has been listed on the National Register of Historic Places since February 11, 1982.</p><br>
<p>The Fitzgerald House in Draper, Utah, at 12934 S. Fort St., was built in 1898. It was listed on the National Register of Historic Places in 2016 or 2017.</p><br>
<p>It is a one-story brick Victorian Eclectic brick house. It was deemed significant "for its association with the rise of sheep ranching families in Draper at the turn of the twentieth century. The period of significance spans the productive lives of sheep ranchers, Aurelius W. and Nellie Brown Fitzgerald, and their son, Aurelius B. Fitzgerald, from 1898 to 1960. The prosperity of Draper ranchers during this period is represented by four Victorian-era mansions along Fort Street. Built around the same time as the mansions, the Fitzgerald House is more modest in scale, but features Victorian Eclectic ornamentation similar to its larger neighbors. Both Aurelius W. and Aurelius B. married late in life and the home represents the unpretentious aspirations of Draper&#39;s bachelor ranchers and farmers. Aurelius W. Fitzgerald maintained a large herd during the height of the sheep and wool industry in Draper. His son, Aurelius B. Fitzgerald, who operated a small dairy farm, was part of a transition in the community from large livestock holdings to specialized agriculture and cottage industries after the Great Depression."</p><br>
<p>Its listing is consistent with standards for historic properties in Draper established in a 2003 study.</p><br>
<p>It has a central-block-with-projecting-bays plan and sits on a granite foundation. A brick addition on a concrete foundation was added in 1912 to its rear, northwest corner. A screened porch was added c.1920. Its interior was remodeled during 1951–1952. Another remodeling in 1994-1995 added vinyl sheathing to the porch, and also restored many Victorian features. Its National Register nomination noted that "Despite two major renovations, the house retains its basic form and Victorian Eclectic ornamentation, such as lathe-turned porch posts, spindles, brackets and variegated shingles."</p><br>
<p>There are two other historic Fitzgerald residences surviving in Draper. The Perry Fitzgerald Cabin, built c.1850, "became a barn after the family built a brick home in the 1860s. The three-room cabin is currently located in the Draper City Park. It was moved from its original site and reassembled in the park around 1990." And the Perry and Agnes Wadsworth Fitzgerald House, at 1144 E. Pioneer Road, is also in Draper and listed on the National Register.</p><br>
<p>The Anthony Overton Elementary School is a historic school building at 221 E. 49th Street in the Grand Boulevard community of Chicago, Illinois.</p><br>
<p>The building is in the process of being turned into a community arts center by the Emerald South Economic Development Collaborative.</p><br>
<h2>History</h2><br>
<p>Built in 1963, the school was one of three prototype schools designed to relieve overcrowding in poor, majority black neighborhoods; it mainly served students from the nearby Robert Taylor Homes housing project. The school was named for Anthony Overton, a black business leader and founder of the Chicago Bee.</p><br>
<p>The school served students until 2013, when it was closed as part of wave of public school closings in Chicago.</p><br>
<h2>Architecture</h2><br>
<p>Architects Perkins & Will designed the school in the mid-century modern style, which was chosen as a departure from institutional school buildings. The school was divided into three three-story sections to avoid the dominating impression of a single building; each section included large corner windows shaded by canopies and used colorful yellow brick to stand out from surrounding buildings.</p><br>
<p>The building was added to the National Register of Historic Places on September 6, 2016.</p><br>
<p>Fort Pearce is a former fort established in Washington County, Utah, United States , that is listed on the National Register of Historic Places . Built in the 19th century, it is located roughly ten miles from St. George&#39;s city center, near the border with Mohave County, Arizona, alongside Fort Pearce Wash, an intermittent tributary of the Virgin River named after the fort.</p><br>
<h2>Description</h2><br>
<p>The fort was built by settlers of The Church of Jesus Christ of Latter-day Saints to protect themselves from Navajo Native Americans in the midst of the Black Hawk War of 1865–1872. Initial construction began on December 4, 1866, and was done by six men. The ruins have been listed on the National Register of Historic Places since November 20, 1975. No battle was ever fought at the fort.</p><br>
<p>The Fort Harmony Site is a historic site with a monument in New Harmony, Utah. It was established on May 20, 1854 by Brigham Young, who served as the second president of the Church of Jesus Christ of Latter-day Saints from 1847 to 1877. It was built with adobe, and it served as the home of Mormon settlers like John D. Lee until 1862. The site was later acquired by homesteader Andrew G. Schmutz. A historical marker was later installed by the Daughters of Utah Pioneers. The site has been listed on the National Register of Historic Places since November 16, 1979.</p><br>
<p>The Thomas Judd House is a historic house in St. George, Utah. It was built in 1876 for Thomas Judd, an immigrant from England who converted to the Church of Jesus Christ of Latter-day Saints in 1864 and settled in Southern Utah shortly after. Judd initially worked as the clerk of the Southern Utah Tithing Office, and he co-founded Woolley, Lund and Judd with Edwin Gordon Woolley and Robert C. Lund in October 1875. Judd returned to England as a missionary from 1876 to 1878, and he served as the bishop of the St. George First Ward from 1879 to 1896. The house was acquired by George E. Miles, another immigrant from England and convert to the LDS Church, in 1900. It has been listed on the National Register of Historic Places since January 31, 1978.</p><br>
<p>The house was scheduled for demolition in 1986, but was saved by being moved in several pieces, from its original location at 269 South 200 East to an empty lot. The move severely damaged the house, but in 1991 it was restored. Now known as Green Hedge Manor, it sits at the rear of the property of Green Gate Village, at 76 West Tabernacle Street.</p><br>
<p>The Washington Relief Society Hall is a historic building in Washington, Utah. It was built as an adobe building in 1875 for the local chapter of the Relief Society of the Church of Jesus Christ of Latter-day Saints, and designed in the Greek Revival style. It was expanded with a west wing in 1904, and stuccoed. It has been listed on the National Register of Historic Places since August 27, 1980.</p><br>
<p>The Frederick and Anna Maria Reber House is a historic two-story house in Santa Clara, Utah. It was built with stucco in 1870, and designed in the Greek Revival style. The Rebers were immigrants from Switzerland who converted to the Church of Jesus Christ of Latter-day Saints before settling in Santa Clara. It has been listed on the National Register of Historic Places since December 4, 1998.</p><br>
<p>The James Jepson Jr. House is a historic two-story house in Virgin, Utah, United States, that is listed on the National Register of Historic Places, .</p><br>
<h2>Description</h2><br>
<p>The house is located at 15 East Jepson Avenue and was built with limestone in 1877 by James Jepson Jr., the son of English-born converts to the Church of Jesus Christ of Latter-day Saints. Jepson helped build the St. George Utah Temple, is credited with the inception and construction of the Hurricane Canal, and he later served as a counselor to the bishop of the Virgin Ward like his father. He lived in this house with his wife, née Lucinda Stratton, and their children.</p><br>
<p>It was listed on the NRHP June 22, 2000.</p><br>
<p>The Alvin and Annie Green House, at 8400 Danish Rd. in what is now Cottonwood Heights, Utah, was built sometime in the period 1905 to 1915. It was listed on the National Register of Historic Places in 2000.</p><br>
<p>It is a one-and-one-half-story cross wing house, and has Victorian-eclectic detailing. Built by Alvin Green, it originally had five rooms: a living room, a kitchen and three bedrooms. Its exterior is rock-faced concrete blocks laid in running bond. Alvin Green was born in 1877 in Butler, Utah; Annie was born in 1878 of Danish parents; they married in 1900.</p><br>
<p>It was located in the "Danish Town" area, in or near Sandy, Utah, in an area which was incorporated in 2005 as Cottonwood Heights, Utah.</p><br>
<p>It was deemed significant "as the only house remaining in the Danish Town area that was constructed prior to 1937. It is also the only known house in Sandy constructed of rockfaced concrete block, a building material that was popular during the first few decades of the twentieth century. The house also is the only one south of Creek Road that is still owned by a descendant of the original settler of the Danish Town area, and was certainly the most substantial one from the era."</p><br>
<p>There is a contributing structure which also was included in the listing. Is that the cistern on the property? With</p><br>
<p>The Eugene Streeter House, at 335 Ontario Ave. in Park City, Utah, was built around 1885. It was listed on the National Register of Historic Places in 1984.</p><br>
<p>It is a one-story frame "T/L cottage" with a gable roof, with a porch on the west side of the stem-wing. A rear shed extension was added before 1889.</p><br>
<p>It was vacant and in deteriorated condition in 1984, with no doors or windows.</p><br>
<p>The Ebenezer Missionary Baptist Church is a historic church at 4501 S. Vincennes Avenue in the Grand Boulevard community area of Chicago, Illinois. Built in 1899, the building was originally a synagogue for the Isaiah Temple congregation. Architect Dankmar Adler, who partnered with Louis Sullivan to build many of Chicago&#39;s early skyscrapers, designed the Neoclassical building; Adler was the son of a rabbi, and he designed several other synagogues in Chicago.</p><br>
<p>African-American settlement changed the demographics of the neighborhood in the early twentieth century, and the Isaiah Temple congregation sold the building to the black Ebenezer Missionary Baptist Church congregation in 1921. The first gospel choir was formed in the church in 1931, and its leaders Thomas A. Dorsey, Theodore Frye, and Roberta Martin were responsible for popularizing gospel music in Chicagos black churches. The churchs choir helped launch the careers of many prominent gospel musicians, including Mahalia Jackson, Sallie Martin, and Dinah Washington; rock and roll pioneer Bo Diddley also performed in the church&#39;s orchestra.</p><br>
<p>The church was added to the National Register of Historic Places on October 24, 2016.</p><br>
<p>The Rider-Pugh House is a historic house in Kanab, Utah. It was built in 1892-1894 by John Rider, an immigrant from Ireland who converted to the Church of Jesus Christ of Latter-day Saints in 1855 and settled in Utah in 1886. He was assisted by his son, Frank Rider. Rider initially lived near Salt Lake City with his wife, née Mary McDonald, and their two children. He moved to a fort in Kanab in 1870, and he purchased the plot of land upon which this house was built in 1889. The house designed in the Late Victorian style. Underneath the foyer, there is a "polygamy pit". In 1895, the house was acquired by Edward Pugh, an immigrant from England who also converted to the LDS Church and arrived in the United States in 1844. Pugh had two wives, Mary Ann Rock Williams and Elizabeth Kelly, although his first wife lived in Salt Lake City. The house was deeded to their daughter, Pearl Edna Pugh Brown, in 1914. It has been listed on the National Register of Historic Places since April 6, 2001.</p><br>
<p>The Stewart-Woolley House is a historic house in Kanab, Utah. It was built in 1872 for Levi Stewart, who converted to the Church of Jesus Christ of Latter-day Saints with his family in Illinois in 1837. Stewart moved to Kanab in 1870, where he first stayed in an old fort. He built his house shortly after, and it was designed in the Gothic Revival and Late Victorian styles. Stewart served as the local bishop. The house was acquired by Edwin D. Woolley, a native of Nauvoo, Illinois, in 1889. Woolley had two wives, Emma Geneva Bentley, with whom he had twelve children, and Flora Ashby Snow, with whom he had nine children. He lived in this house with his first wife, Emma, and their children, including Mary E. Woolley Chamberlain, who served as the mayor of Kanab from 1911 to 1913. The house has been listed on the National Register of Historic Places since April 6, 2001.</p><br>
<p>Parry Lodge is a historic motel-restaurant complex in Kanab, Utah, United States, that is listed on the National Register of Historic Places .</p><br>
<h2>Description</h2><br>
<p>The complex is located at 89 East Center Street (USA Route 89) in Kanab. It is known for having hosted many film crews making Westerns, including many famous movie stars. It contains many photographs of actors who stayed there. Most of the rooms are named after actors.</p><br>
<h2>History</h2><br>
<p>The main building was built in 1892 for Justin Merrill Johnson, the son of Mormon settlers, who lived here with his wife Emma and their five daughters. Johnson built a barn, and a bungalow was built by Gideon Wilson Findlay, who was married to Mandana Farnsworth, a niece of the Johnsons, and lived here with their six daughters. In 1928, the main house was purchased by three brothers from Salt Lake City; Chauncey, Gronway, and Whit Parry, and more buildings were erected on the property in 1930 and 1931 as it was turned into a motel-restaurant complex. The buildings were designed in the American Craftsman and Victorian Eclectic styles. The complex has been listed on the NRHP since August 14, 2003.</p><br>
<p>The William Derby Johnson, Jr., House is a historic house in Kanab, Utah. It was built in 1884-1885 for William Derby Johnson, Jr., a veteran of the Black Hawk War of 1865-1872 and a Mormon settler. Johnson had four wives: Lucy Annie Salisbury, Lucy Elizabeth Brown, Charlesetta Prescott Cram, and Mary Agnes Riggs. The house was designed in the Italianate architectural style. It was acquired in 1886 by George Conrad Naegle, who lived here with his two wives, Sabra Higbee Naegle and Anna Fauth. Three years later, it was acquired by Alfred D. Young, who lived here with his wife Ana Little and their thirteen children. By 1900, the house had been remodelled as a hotel, and it was the first hotel in Kanab. The property has been listed on the National Register of Historic Places since April 6, 2001.</p><br>
